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Persona Grata 2017-09 Johanna Mängel Teater.Muusika.Kino
Persona Grata 2017-09 Johanna Mängel Teater.Muusika.Kino Elis Hallik (1986) on heliloojana huvitatud sellest, mis mõjutab võimet olla teadlikult käesolevas hetkes ja jälgida tähelepanuga kõike ümbritsevat —vaikust ja müra selle erinevates tahkudes ning mikrosündmusi helides ja muusikalises protsessis. Elis Hallik õppis kompositsiooni Eesti Muusika- ja Teatriakadeemias Helena Tulve ja Toivo Tulevi juhendamisel ning täiendas end Lyoni…
Sirje Vihma-Normet, 17 September, 2021, Eesti Elu/ Estonian Life
Sirje Vihma-Normet, 17 September, 2021, Eesti Elu/ Estonian Life https://eestielu.com/en/culture/173-muusika/12118-erso-95 The world premiere of Elis Hallik’s Firehearted was supposed to be performed last year, during the season dedicated to the 250th anniversary of Beethoven’s birth. Therefore, the strings in the work are largely inspired by the opening movement of Beethoven’s Leonore (Fidelio). According to the composer, at one point she…
Lainetes sündinud
Jaanuar, 2024Elis Halliku autoriplaat „Born in Waves” MIRJE MÄNDLA 2023. aasta jääb eesti muusikalugu märgistama mitme olulise uue muusika helilooja autoriplaadi ilmumisega. Olgu siinkohal nimetatud Arash Yazdani (1985) topeltalbum „Propagation of Uncertainty” (plaadifirma Kairos), millel Yazdani teoseid esitavad tema enda kureeritud Tallinna Uue Muusika Ansambel, Eesti Filharmoonia Kammerkoor, ERSO, Ensemble du Bout du Monde ja…
Sirp, detsember 22, 2017, Johanna Mängel
Sirp, detsember 22, 2017, Johanna Mängel https://www.sirp.ee/s1-artiklid/c5-muusika/uhiskonnatundlik-ja-eksklusiivne-nuudismuusikaaeg/ “In autumn, ERSO premiered Elis Vesik’s orchestral work Punctum concursūs in prospectu or Vanishing Point in the Field of Vision, one of the central themes of which is the perception of time. A unique, airy, and sensitive sound aesthetic may be encountered in Vesik’s well-thought-out search for…
Respected British music critic Simon Cummings reviewed “Born in Waves” on Kairos
Elis Hallik is probably the most interesting Estonian composer who, thus far, i haven’t written much about. During my annual trips to the Estonian Music Days in recent years, she has rarely been featured, so until recently, all i knew of her music were two chamber works, To Become A Tree – probably her most well-known piece to date –…
Tallinn Chamber Orchestra in a programme of premières from young Estonian composers
Tallinn Chamber Orchestra in a programme of premières from young Estonian composers 13 April 2015 Gavin Dixon “Two Ladies”, the title of this afternoon’s concert, referred to its two violin soloists, Triin Ruubel and Juta Õunapuu-Mocanita. They, along with the strings of the Tallinn Chamber Orchestra, presented a programme of premières from young Estonian composers….