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Review from Carme Miró sonograma.org of Hallik’s new album Born in Waves
Estonian composer Elis Hallik’s debut on the Kairos label has an early justification in the recording of Born in Waves. In this sense, the composer comments: “I like to think that the structure can also work as an autonomous energy system, a multidirectional sense of time. Time and ambivalence are the different aspects of the same sound…
François Mauger, magazine “4’33”, 12.04.2022
François Mauger, magazine “4’33”, 12.04.2022 “Estonian composer Elis Hallik on the way to the trees” Link To become a tree… Such is the dream of the Estonian composer Elis Hallik , or at least the title of one of her works: To become a tree . The Fractales ensemble has just recorded it on its…
Kevin W Ng , 8 April, 2022, Bachtrack
Kevin W Ng , 8 April, 2022, Bachtrack “A listening journey in six steps: contemporary women composers in Estonia” https://bachtrack.com/feature-estonian-women-composers-april-2022 “Among the younger generation of composers, Elis Hallik (born in 1986) has achieved particular international success. Hallik studied at the Estonian Academy of Music with Helena Tulve and Toivo Tulev, followed by further studies at…
Saale Kareda, musicologist, Muusika magazine, November 5, 2024
The Courage to Live Elis Hallik and Kristiina Poska. PHOTO BY TEET RAIK The first program of the ERSO’s new series “Cello Concerto” on September 27 brought to the audience the Estonian premiere of Aegis by Elis Hallik, performed by one of today’s most esteemed cellists, Alban Gerhardt, and the charismatic conductor Kristiina Poska. Elis Hallik ja…
Tallinn Chamber Orchestra in a programme of premières from young Estonian composers
Tallinn Chamber Orchestra in a programme of premières from young Estonian composers 13 April 2015 Gavin Dixon “Two Ladies”, the title of this afternoon’s concert, referred to its two violin soloists, Triin Ruubel and Juta Õunapuu-Mocanita. They, along with the strings of the Tallinn Chamber Orchestra, presented a programme of premières from young Estonian composers….
In the December 2017 issue of Teater.Muusika.Kino
In the December 2017 issue of Teater.Muusika.Kino SAALE KAREDA on the festival Afekt “We have entered into / are in the process of entering completely new situations, where the old – perhaps at one time even extremely avant-garde mechanisms and methodologies – well-acquired techniques and games no longer work if they have no substantive justification….